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Percy Goetschius
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
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Percy Goetschius (* 30. August 1853 in Paterson, New Jersey; β 29. Oktober 1943 in Manchester, New Hampshire) war einer der bedeutendsten Musiktheoretiker und Kompositionslehrer seiner Zeit in den USA.
Contents
β’ Leben
β’ Schriften
β’ Einzelnachweise
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
Leben
Goetschius war KlavierschΓΌler von Robert E. H. Gehring. Er wirkte zwischen 1868 und 1873 als Organist an der Second Presbyterian und der First Presbyterian Church seiner Heimatstadt sowie als Pianist der Mr. Bensonβs Paterson Choral Society. 1873 ging er zum Studium der Musiktheorie an das Konservatorium in Stuttgart, wo Immanuel FaiΓt, Sigmund Lebert, ΓrpΓ‘d Doppler und Dionys Pruckner zu seinen Lehrern zΓ€hlten.cite-ref-gmo-1-0[1] Dort wurde er 1885 von dem wΓΌrttembergischen KΓΆnig Karl Friedrich Alexander zum kΓΆniglich wΓΌrttembergischen Professor ernannt.cite-ref-njbd-2-0[2]
Ab 1892 unterrichtete er am New England Conservatory in Boston und wurde 1905 Lehrer am neu gegrΓΌndeten New Yorker Institute of Musical Art unter Frank Damrosch, der spΓ€teren Juilliard School.cite-ref-gmo-1-1[1] Zu seinen SchΓΌlern zΓ€hlten u. a. Pauline Alderman, Samuel Barlow, Henry Cowell, Samuel Gardner, Howard Hanson, Swan Hennessy, Eva Jessye, Arthur Loesser, Daniel Gregory Mason, Pierre Maurice, Leo Ornstein, Wallingford Riegger, Richard Rodgers, Zygmund Przemyslaw Rondomanski und Arthur Shepherd. Er verfasste musiktheoretische Schriften, die bis heute als Standardwerke anerkannt sind.cite-ref-njbd-2-1[2]
Schriften
β’ The Material Used in Musical Composition (New York: G. Schirmer, 1882)
β’ The Theory and Practice of Tone-Relations (Boston: New England Conservatory, 1892)
β’ Lessons in Musical Form (Boston: Oliver Ditson, 1904)
β’ The Homophonic Forms of Musical Composition (New York: G. Schirmer, 1921)
β’ Counterpoint (New York: G. Schirmer, 1930)
Einzelnachweise
cite-note-gmo-11. β Ramona H. Matthews: Goetschius, Percy. In: Grove Music Online (englisch; Abonnement erforderlich).
cite-note-njbd-22. β Caryn Hannan: New Jersey Biographical Dictionary. Band 1. State History Publications, Hamburg, Michigan 2008, ISBN 1-878592-45-9, S. 274β276 (englisch, Volltext in der Google-Buchsuche [abgerufen am 19. Dezember 2025]).